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(古典音乐)Marie-Elisabeth Hecker & Martin.Helmchen - BRAHMS: Cello Sonatas (勃拉姆斯大提琴奏鸣曲/Alpha/2016)(flac/24/96)

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发表于 2020-5-12 16:50:08 | 显示全部楼层 |阅读模式
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简介:
Marie-Elisabeth Hecker & Martin.Helmchen - BRAHMS: Cello Sonatas (勃拉姆斯大提琴奏鸣曲/Alpha/2016)[flac/24/96]

MARIE-ELISABETH HECKER
Cellist Marie-Elisabeth Hecker made her international breakthrough with her sensational
success at the 8th Rostropovich Competition in Paris in 2005, where she became the first
contestant in the event’s history to win the first prize as well as two special prizes.
Born in 1987 in Robert Schumann’s hometown Zwickau, Hecker began learning the cello at the
age of five, with the distinguished German cellist Peter Bruns becoming her principal teacher.
She continued her studies with Heinrich Schiff and subsequently took part in masterclasses
with eminent figures such as Anner Bylsma, Frans Helmerson, Bernard Greenhouse, Gary
Hoffman and Steven Isserlis.
Among the highlights of her career to date are performances with the BBC Symphony
Orchestra, Deutsches Sinfonieorchester Berlin, Dresden Philharmonic, Filarmonica della
Scala, Gewandhaus Orchestra Leipzig, Israel Philharmonic Orchestra, Mariinsky Orchestra,
Netherlands Radio Chamber Orchestra, Orchestre de Chambre de Lausanne, Orchestre
de Paris, Chamber Orchestra of Philadelphia, Orchestre de la Suisse Romande, Orchestre
National de Belgique, Orchestre Philharmonique de Luxembourg, Philharmonia Orchestra,
Royal Flemish Philharmonic, Rundfunk-Sinfonieorchester Berlin, Spanish National Orchestra,
Staatskapelle Berlin and Vienna Symphony Orchestra.
She had collaborated with conductors such as Barenboim, Gergiev, Harding, Hengelbrock,
Herreweghe, Janowski, Luisi, Nagano, Saraste, Thielemann, von Dohnányi and Zacharias.
In addition, she has appeared in recitals with her partner Martin Helmchen in Amsterdam,
Barcelona, Berlin, Florence, Frankfurt (Alte Oper), Hohenems (Schubertiade), Jerusalem,
London (Wigmore Hall), Lucerne (Lucerne Festival), Madrid, Milan, Munich, New York
(Carnegie Hall), Paris, Vancouver, Verbier (Festival) and Zurich.
In co-operation with Music Road Rwanda Marie-Elisabeth Hecker regularly travels to Rwanda
in order to support a local music school with concerts and educational projects.

MARTIN HELMCHEN
‘Helmchen is one of those artists with an aesthetic, culturally penetrating vision of a work,
their fingers reflecting every aspect of its universe. Helmchen’s control of sound, subtle
dynamic range and rhythmical mastery leave one speechless.’ Christophe Huss, ‘Le Devoir’
July 2015.
There are shooting-stars who enter the concert arena to the sound of a drum-roll, but often
rapidly disappear again. And then, there are artists who gradually play their way into the
footlights, until one day one cannot imagine them ever not being there. Normally, winning the
Clara Haskil Competition would also have catapulted nineteen-year-old Martin Helmchen into
the celebrity carousel of the classical music world. But concert agents and record companies
were more cautious. And so Martin Helmchen developed his own attitude to musicmaking,
and established himself in the the piano world’s premier league, with his expressive, utterly
intimate playing.
He appears regularly with the world-class orchestras of Boston and Chicago, London and
Cleveland, Paris and Tokyo, and with major German radio symphony orchestras. After his
débuts with the Berlin, Vienna and New York Philharmonic Orchestras and the Concertgebouw
Orchestra in Amsterdam, he has finally reached Olympian rank. The conductors he works with
include Herbert Blomstedt and Philippe Herreweghe, Marek Janowski and Vladimir Jurowski,
Sir Neville Marriner, Andris Nelsons und Andrés Orozco-Estrada, Michael Sanderling, David
Zinman, and above all, his long-time collaborator and supporter, Christoph von Dohnanyi.
Martin Helmchen is particularly attentive to the field of chamber music – a passion which
was particularly stimulated by Boris Pergamenschikow. Among Helmchen’s most frequent
chamber music partners are his wife, Marie-Elisabeth Hecker, Juliane Banse, Matthias
Goerne, Veronika Eberle, Julia Fischer, Sharon Kam, and Christian Tetzlaff; and since 2010
he has also been teaching chamber music at the celebrated Kronberg Academy.

1. Cello Sonata No. 1 in E Minor, Op. 38: I. Allegro non troppo
02. Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto
03. Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro
04. Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace
05. Cello Sonata No. 2 in F Major, Op. 99: II. Adagio affettuoso
06. Cello Sonata No. 2 in F Major, Op. 99: III. Allegro passionato
07. Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto

RECORDED FROM 10 TO 13 FEBRUARY 2014,
AT SENDESAAL, BREMEN (GERMANY)
ANDREAS NEUBRONNER
(TRITONIUS MUSIKPRODUKTION GMBH) recording producer

ALPHA 223
OUTHERE MUSIC FRANCE 2014
© ALPHA CLASSICS / OUTHERE MUSIC FRANCE 2016


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