（24Bit_32Bit）Tomonao Hara & Hiroshi Ikejiri - Dear J.C. - Dedicated To John Coltrane 2018 （FLAC/24/192）

admin

封面:

r53tucdvum1.jpg

HiRes音乐简介:
ART:
The very first step that triggered the production of this album was a thought of mine about the possibility of creating a new
architecture in John Coltrane’s world that popped in me while listening to live sessions by Tomonao Hara Quartet where they
often played John Coltrane and their interpretation was so unique. The project of adventurous album to play several great
works by John Coltrane specifically for his own tenor sax, this time only with a trumpet and a bass, was conceived in February
2016, and the recording was set a year later. First of all, candidate music pieces that the duo artists viewed most typical as
John Coltrane and also those that UNAMAS wanted in the album were gathered for selection: We ended up with 9 tracks plus
one bonus track, so total 10 pieces were chosen. The sound dimensions of a duo may be able to construct a largely free space
without restrictions, but on the other hand, maintaining good tensions throughout would be all up to the ideas of two artists on
their own risk. We extended the span of expressions by employing additional two different muted plays for trumpet that
combined with the variations of the bass with both fingered and bowing to complete the world of “Dear J. C.”
TECHNOLOGY:
In this recording, we used some vintage microphones in addition to our usual digital mics to develop the sound of old-and-new
combination: The main microphones for both the trumpet and the bass are Neumann’s KM-133D pairs, the reputed “UNAMAS
standard”, and added to them are a U-47 as the spot mic for trumpet, a Schoeps V4U for capturing muted trumpet, and a
Neumann U-67 as the spot mic for bass. In parallel, the recordings in such formats as 11.2MHz DSD in 2-channel, 384kHz/
32bit and 768kHz/32bit were executed with the purpose of data gathering as a reference for the future. Their chain was
completely independent using Blue MIC and Bottle Rocket Stage One A-B pair, therefore total 9 microphones stood in the studio
for this small duo session. Those signals were transferred from RME DMC-842M and Micstacy M mic preamp that sat in the
studio via optical cables to MADI face XT in the control room, and recorded in Pyramix DAW and also separately in “DAW
Sound It” specifically featured with ADI-2 Pro.
ENGINEERING:
The immersive surround that we pursue with our classical series is actually even tougher in the world of jazz, and thus we
took the orthodox approach of 2-channel stereo in this production. It is of course possible to place the trumpet and the bass to
left and right side by side, but it may make the presence of instruments somewhat flat, and we chose placing them in line
straightforward with the stable center image paying serious attention on the sense of depth.
曲目:
1. Lonnie’s Lament 5’27”
2. Equinox 4’21”
3. Naima 7’48”
4. Moment’s Notice 3’20”
5. Dear Lord 6’17”
6. Syeeda’s Song Flute 4’17”
7. Spiral 7’11”
8. Central Park West 7’01”
9. Count Down 3’32”
10. Chasin’ The Train 2’10”

游客，如果您要查看本帖隐藏内容请回复

本主题所有无损音乐内容均为互联网采集所得，本站仅对作品介绍展示，不直接提供下载服务。另本站音乐相关内容皆从网上搜集转载，如侵犯您的权益，请通知我们，我们将及时删除。如果你喜欢主题所述内容，请你通过正规渠道购买正版。