（古典音乐）Richard Tunnieliffe- J.s.BACH: Cello Suites,BWV 1007 ~ 1012 (巴赫“大无”/2012)（FLAC/24/192）

admin

封面:

qwypwfdfwkr.jpg

简介:
Richard Tunnieliffe- J.s.BACH: Cello Suites,BWV 1007 ~ 1012 (巴赫“大无”/2012)[FLAC/24/192]

Performing Bach’s iconic suites has become a rite of passage for many cellists, but Richard Tunnicliffe’s extensive experience and virtuosity allowed him to create a recording that highlights the distinct personality and individuality of each movement. His performances of the six works have been acclaimed in Europe and Australia as well as at numerous venues in Great Britain, including Wigmore Hall and the Purcell Room in London. Experience, virtuosity and individuality are all required when tackling J.S. Bach’s popular cello suites; Richard Tunnicliffe brings a lifetime of study to his debut solo recording.

As a skilled performer on both the cello and the viol, and as a respected leader of Britain’s movement for period practice, Richard Tunnicliffe brings a wealth of scholarship to his tasteful performances of J.S. Bach’s Cello Suites, and his knowledge is of critical importance in his interpretations. Many cellists with romantic inclinations, who often follow the liberating example of Pablo Casals in his landmark recordings, tend to treat these extraordinary solo works as vehicles for rhapsodic expression and play with too much freedom, ignoring the essential nature of the suites. Tunnicliffe, as a clear-headed interpreter who observes historical research and understands the forms and particular characteristics of Baroque dances, plays with a clear rhythmic emphasis and always keeps in mind the pronounced styles of the allemandes, courantes, sarabandes, and other dances Bach employed. This distinguishes his performances from many popular sets on the market, and even though other cellists have greater name recognition, Tunnicliffe should be appreciated for his artistry and given a thorough hearing. Linn’s sound is resonant and warm, and the cello is close-up and clear, but has little grittiness.



Richard Tunnicliffe - cello

Richard Tunnicliffe is well-known as soloist and chamber musician in a repertoire spanning five centuries of music, playing cello, baroque cello and viols.

His recording of the Bach cello suites was released in 2012 on Linn. The culmination of many years of study and countless performances, it has been very warmly received by critics: The Sunday Times praised its 'clear-sighted, intelligently informed yet emotionally engaged performances' and the Independent on Sunday chose the disc as one of the 'best classical releases of 2012'.

He has also recorded lesser-known works by English composers. These include John Garth whose 6 cello concerti of 1760 (Avison Ensemble, Divine Art) were the first to have been published in England and - from more recent times - Buxton Orr (String Quartets, String Trio/Toccata Classics) and John Joubert ('Kontakion' for cello and piano, with the late John Mc Cabe/Toccata).

He is a member of the recently-formed Trio York. Since 2004 he has been a member of the renowned viol consort Fretwork whose captivating performances and many recordings have earned them admirers all over the world. He is also principal cello of the Avison Ensemble, and is regularly invited as a guest principal cello or viola-da-gamba soloist with major orchestras and conductors.

Richard teaches at the Royal College of Music, London and at CEMPR Birmingham, and he has given master-classes, seminars and lecture-recitals across the globe.


rec, at St. George's Church, Chesterton, Cambridger,UK



on 12-16 October,2010,14-16 February and 21st November 2011


（内附pdf及原本唱片/Linn-CKD 396图片两张，本人亲自扫描）

游客，如果您要查看本帖隐藏内容请回复

euro

啥也不说了，感谢楼主分享哇！