（古典音乐）Stephen Layton & Orchestra of the Age of Enlightenment - BACH: Mass in B Minor,BWV 232 (巴哈弥撒曲/2018) （FLAC/24/96）

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Stephen Layton & Orchestra of the Age of Enlightenment - BACH: Mass in B Minor,BWV 232 (巴哈弥撒曲/2018) [FLAC/24/96]
Many excellent recordings of this monumental work cater for different tastes and priorities. Some have more consistent line-ups of soloists, equally impressive choirs (of varying sizes) and comparably strong artistic direction. Although an excellent one voice-per-part version is nothing new, Butt’s insightful direction and scholarship, integrated with the Dunedin’s extremely accomplished instrumental playing and consort singing, amount to an enthralling and revelatory collective interpretation of the Mass in B minor - perhaps the most probing since Andrew Parrott’s explosive 1985 version (Virgin, 8/86R). ~David Vickers Grammophone
This is the first complete recording of the Mass to be based on Rifkin’s latest thoughts on the subject. While he still maintains the one-to-a-part doctrine, the present forces use five additional ripienists as well, which does give the performance some added heft when needed. Even so, a choir with a max of ten singers does not, to my mind, do justice to the large-scale conception of this work. Bach’s masterpiece is really a pastiche in four different parts from four different time periods, collected for some unknown reason for a presentation unknown.
But he did this for a reason, and it is foolish to think of this as some sort of haphazard or willy-nilly assemblage for just another Sunday service. Everything about his work, really a rewriting of many previous pieces, cries out for justification as a major effort designed to show off something to someone, and history has given its judgment that this quilt is far greater than the sum of its parts, and Bach’s final 1748-50 version is essentially a rewrite of the earlier 1733 Missa that formed the basis for this work. As to the Rifkin doctrine-I have made my feelings known about this all over this site, and I still refuse to believe those who would assign to Bach the unequivocal status as a chamber musician only. Would we do the same for Handel, a one-to-a-part Messiah? But to me the real proof is in the way this thing sounds-with even a small orchestra of 7 strings, 2 flutes, 3 oboes, 2 bassoons, horn, 3 trumpets, timpani, and organ, all going at full steam in certain passages, the voices barely hold their own, and even in this recording, designed specifically to accommodate such an ensemble, the results are still sometimes iffy. I repeat my maxim-I can think of no composer in the history of music who did not salivate over the idea of larger forces in his or her music, and that includes Handel, Mozart, Haydn-and Bach.
曲目:
01. Bach: Mass in B minor, BWV232 - Part 1 No 01. Chorus: Kyrie eleison
02. Bach: Mass in B minor, BWV232 - Part 1 No 02. Duet: Christe eleison
03. Bach: Mass in B minor, BWV232 - Part 1 No 03. Chorus: Kyrie eleison
04. Bach: Mass in B minor, BWV232 - Part 1 No 04. Chorus: Gloria in excelsis Deo
05. Bach: Mass in B minor, BWV232 - Part 1 No 05. Chorus: Et in terra pax hominibus
06. Bach: Mass in B minor, BWV232 - Part 1 No 06. Aria: Laudamus te
07. Bach: Mass in B minor, BWV232 - Part 1 No 07. Chorus: Gratias agimus tibi
08. Bach: Mass in B minor, BWV232 - Part 1 No 08. Duet: Domine Deus
09. Bach: Mass in B minor, BWV232 - Part 1 No 09. Chorus: Qui tollis peccata mundi
10. Bach: Mass in B minor, BWV232 - Part 1 No 10. Aria: Qui sedes ad dexteram Patris
11. Bach: Mass in B minor, BWV232 - Part 1 No 11. Aria: Quoniam tu solus sanctus
12. Bach: Mass in B minor, BWV232 - Part 1 No 12. Chorus: Cum Sancto Spiritu
13. Bach: Mass in B minor, BWV232 - Part 2 No 1. Chorus: Credo in unum Deum
14. Bach: Mass in B minor, BWV232 - Part 2 No 2. Chorus: Patrem omnipotentem
15. Bach: Mass in B minor, BWV232 - Part 2 No 3. Duet: Et in unum Dominum
16. Bach: Mass in B minor, BWV232 - Part 2 No 4. Chorus: Et incarnatus est
17. Bach: Mass in B minor, BWV232 - Part 2 No 5. Chorus: Crucifixus etiam pro nobis
18. Bach: Mass in B minor, BWV232 - Part 2 No 6. Chorus: Et resurrexit tertia die
19. Bach: Mass in B minor, BWV232 - Part 2 No 7. Aria: Et in Spiritum Sanctum
20. Bach: Mass in B minor, BWV232 - Part 2 No 8. Chorus: Confiteor unum baptisma
21. Bach: Mass in B minor, BWV232 - Part 2 No 9. Chorus: Et exspecto resurrectionem
22. Bach: Mass in B minor, BWV232 - Part 3. Chorus: Sanctus
23. Bach: Mass in B minor, BWV232 - Part 4 No 1. Chorus: Osanna in excelsis
24. Bach: Mass in B minor, BWV232 - Part 4 No 2. Aria: Benedictus
25. Bach: Mass in B minor, BWV232 - Part 4 No 3. Chorus: Osanna in excelsis
26. Bach: Mass in B minor, BWV232 - Part 4 No 4. Aria: Agnus Dei
27. Bach: Mass in B minor, BWV232 - Part 4 No 5. Chorus: Dona nobis pacem

Orchestra of the Age of Enlightenment, Trinity College Choir Cambridge
Stephen Layton, dir.
rec. in Trinity College Chapel,Cambridge,on 12-16 January 2017

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