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Nelson Goerner - Beethoven: Piano Sonata No.29 & 6 Bagatelles Op.126 (ALPHA 239;2015) [FLAC/24/88.2]
The piano music of Beethoven is a world in itself – inexhaustible for both performer and listener. From his first Sonata of 1795 to the final Bagatelles written thirty years later, his piano works show clearly the evolution of their creator, and of the intellect at work in their crafting: a mind forever pondering, inquiring, speculating. Beethoven was himself a pianist, passionate about the piano and its possibilities, infuriated by its limitations. He often spent the whole day at the piano, playing and singing. He loved improvising, and judged any other musician by this skill in improvisation, this ability to channel the power of song.
Consequently, each of his works is first and foremost an intimate, tangible testimony of a perpetual work in progress, a photo of his workshop. In his body of work for piano solo – leaving aside his chamber music and concertos – Beethoven ceaselessly explored all the possible forms: sonatas, variations, and pieces in free form (the bagatelles and fantasies).
Unlike his contemporary Schubert, he almost never treated the piano as an instrument of social amusement, so there are no waltzes or Ländler: just the quintessence of music unceasingly examined, probed and tested . . . This mountain of work was not intended for a public hearing: with only one exception, Beethoven never heard his piano sonatas played in recital, and still less would he have ever considered performing them himself. It was in his symphonies that Beethoven spoke to the men and women of his era. For the solitary voice of the piano, the time had not yet come.
曲目:
01. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro
02. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo (Assai Vivace-Presto-Prestissimo-Tempo 1)
03. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto
04. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo-Allegro risoluto
05. 6 Bagatelles, Op. 126: No. 1 in G Major (Andante con moto, cantabile e compiacevole)
06. 6 Bagatelles, Op. 126: No. 2 in G Minor (Allegro)
07. 6 Bagatelles, Op. 126: No. 3 in E-Flat Major (Andante, cantabile e grazioso)
08. 6 Bagatelles, Op. 126: No. 4 in B Minor (Presto)
09. 6 Bagatelles, Op. 126: No. 5 in G Major (Quasi allegretto)
10. 6 Bagatelles, Op. 126: No. 6 in E-Flat Major (Presto, andante amabile e con moto)
RECORDED FROM 19 TO 25 MAY 2015 AT TELDEX STUDIO, BERLIN
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