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封面:
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HiRes音乐简介:
La Llorona is the debut studio album by Canadian singer Lhasa de Sela, released in 1997 in Canada and 1998 elsewhere.
Alejandro Sela, Lhasa's father, received his doctorate on literature of the Spanish conquest of Mexico and taught her of the legend of La Llorona. This is the folktale of the crying woman, resembled the mythological wife of Quetzalcoatl who has lost her children. For Lhasa, La Llorona comes from the omen of conquerors. Lhasa believes that the woman cried when the Spanish arrived in America to warn her native children of the doom that the conquistadors would bring to their way of life.
Half Mexican American, half Jewish American and all rainbow chile, singer Lhasa de Sela's Spanish-language, world music/alt-rock debut shimmers with honest emotionalism, with no trace of the posturing and whining that passes these days for deep, girlish thoughts. The girl's young, but she's equipped with imagination, confidence, and technique enough to take that husky, urgent alto anywhere she wants. And she goes there. Guitarist-producer-arranger Yves Desrosiers cloaks all this splendor in rapturous arrangements that include, among other elements, the sound of rain, flamenco-influenced guitar, and a slide bass of his own design. Even if you don't understand Spanish, you can't miss the point ... the feelings. Lhasa's just begun, but her stranger-than-fiction background and dazzling gifts already place her among music's top-rung storytellers
在墨西哥人的祖先阿兹特克人(Aztecs)的神话传说中,羽蛇神(Quetzalcoalt)的妻子La Llorona是一个在天地间叹息和哭泣的风神。她擅长利用优美却又悲伤的歌谣来迷惑那些在战争中杀死她的孩子的男人。她把他们引诱到河边,然后送上香艳的吻。最终,这些男人在意乱情迷中变成一块块石头。这个神话故事就是女歌手拉萨.迪.塞拉(Lhasa de Sela)的成名专辑《La Llorona》的创作源泉。拉萨依靠自己醇厚中带着伤感的歌声迷惑了所有聆听她歌曲的人。我们可以在她的演唱中感受到法国老歌手伊迪斯.皮雅芙(Edith Piaf)以及女版汤姆.威茨(Tom Waits)的味道。在她的音乐最深处我隐约听到了迷星乐队(Mazzy Star)的女主唱霍普.桑多瓦(Hope Sandoval)独特的哀愁气质。难道是她们的墨西哥血统使得她们的音乐有着如此相似的感觉?
拉萨的父亲来自墨西哥,而她的母亲却是地地道道的美国人。但是,这对不安分的夫妇经常带着孩子们在墨西哥和北美大陆流浪。父母亲利用自己喜欢的世界音乐对孩子们进行音乐上的熏陶。正是这种远离电台和排行榜的音乐氛围造就了拉萨独特的音乐感觉。当1997年拉萨的第一张专辑《La Llorona》发行后,她立刻获得了成功。这张带着寻根意味的纯西班牙语的专辑获得了加拿大朱诺世界音乐奖(Juno)。拉萨和她的拍挡们利用弗拉门哥吉他、单簧管、班卓琴以及小提琴等乐器制造了一个奇异的阿兹特克神话世界。最值得一提的是专辑的第一首歌曲《De Cara A La Pared》。它通过拍击雨水所制造出的节拍为拉萨的演唱带来了一种灵动的感觉,实在让人着迷。而专辑封面上那个怪异的女性头像也是酷爱画画的拉萨亲手绘制的。
曲目:
1. De cara a la pared
2. La Celestina
3. El desierto
4. Por eso me quedo
5. El payande
6. Los peces
7. Floricanto
8. Desdeñosa
9. El Pájaro
10. Mi vanidad
11. El árbol del olvido
试听:
http://music.163.com/#/album?id=301982
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