（24Bit_32Bit）菅野洋子 Yoko Kanno - Macross Plus Original Soundtrack 1995 （FLAC/24/96）

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简介:
1994年在河森正治、渡边信一郎监督的OVA动画《Macross Plus》中，菅野洋子首次独立担当动画音乐的制作。在这里菅野洋子不受拘束的个性和纯熟的技巧终于得到发挥，大量使用迷幻风格的电子乐，还与以色列爱乐乐团合作用宏大的交响乐来表现战斗的激烈，而主题曲Voices更是传唱至今。动画和音乐的成功让菅野洋子成功的进入动画界，并结识了河森正治、渡边信一郎、信本敬子等人，为此后的活动打下了基础。

Gabriela Robin
这位神秘歌手是在1994年菅野首度担当动画配乐的作品《Macross Plus》第一次出现，演唱《Torch song》、《SANTI-U》两首歌曲，并做了三首词。随后几乎在菅野参与的音乐作品中，都有她参与作词及演唱。Gabriela Robin（ガブリエラ・ロビン）作词使用些法语、俄语[13]或拉丁语等音素的无意义自造词，却不是任何一种现存的语言，乐迷称为「Gablish」（ガブリエラ語）。Gabriela Robin本人从没在公开场合出现过、都找人代唱（如坂本真绫或Origa），互联网及出版物也找不到正式的个人讯息。
乐迷从种种迹象推测Gabriela Robin即菅野本人，或是包含菅野在内的多位歌手；直到2009年7月7日举行的「超时空七夕传声」（超時空七夕ソニック）音乐会将近尾声之际，菅野指挥完华沙爱乐交响乐团后，以Gabriela Robin名义演唱《Moon》，证实原先所臆测的身份。
关于「Gablish」，据她本人表示，当日语词穷无法表达情感时，就会寻觅其他语言，若无符合则自创；「Robin」由来是首次与以色列爱乐交响乐团录音时的以色列总理拉宾。

Macross Plus Original Soundtrack is the first soundtrack for the OVA series and the sole soundtrack on which vocalist Mai Yamane makes an appearance. It features three vocal tracks. "After, in the Dark" which is sung by Yamane is the ending theme song for episodes 1 through 3. "Voices", which recurs throughout the series, is sung by Akino Arai, the singing voice for the character Myung Fang Lone; its main melody is based on Sicilienne, featured in the Pelléas et Mélisande by Gabriel Fauré. It is the second ending theme song, appearing on episode 4, and is also the ending theme song for Macross Plus: Movie Edition, the theatrical version of Macross Plus, which was released on August 27, 1995. "SANTI-U" by Gabriela Robin is one of Sharon Apple's songs. Members of the Israel Philharmonic Orchestra were also involved in the production, and part of the album was recorded in Tel Aviv. The album cover features a CG of one of Sharon Apple's logos.

菅野洋子 Yoko Kanno

One of the finest composers of the modern age, Yoko Kanno is a legend to fans of anime. To the rest of the world, she is practically unknown.

“She is a genius”
In particular, Barder wanted to hear about Inglis’ experiences with the score for Macross Plus, for which Inglis had conducted the Israel Philharmonic in 1994.

“The orchestra loved the music and had a ball doing it.” Inglis commented. “Everybody liked the music, it was inspiring stuff. The Israel Philharmonic were in awe of the music. Make no mistake, the Israel Philharmonic are a world class orchestra, so it takes a lot to impress them.

“It also made a change from the usual ‘squeaky gate’ music that I have had to conduct, which is music written by a composer for a select group of his friends. Music like that annoys me, because I want the listeners to enjoy the music and go through motions while listening to it.”

“Which is where this type of music,” Inglis continued, with enthusiasm, “where you have challenging rhythms and harmonies, is exciting and it plays on your emotions. I would love to conduct more music like this.”

Was this, Barder asked, the first time Inglis had encountered Yoko Kanno?
“Yes it was.” Inglis replied. “It was also apparently the first time she had ever orchestrated for an orchestra. Which if it is true, I have no reason to doubt it, she is a genius.”


无损音乐曲目:
01. National anthem of MACROSS
02. Fly up in the air - Tension
03. After, in the dark - Torch song
04. MYUNG Theme
05. Bees and honey
06. In captivity
07. More than 3cm
08. VOICES
09. Break out - Cantabile
10. Very little wishes
11. SANTI-U

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corobi

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