(分享)格里格：管弦乐作品全集 - 奧勒·克里斯蒂安·魯德

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Composer: Edvard Grieg
Performer: Noriko Ogawa（小川范子）(piano), Marita Solberg (soprano), Håkan Hagegård (baritone)
Orchestra: Bergen Philharmonic Orchestra
Conductor: Ole Kristian Ruud
Label: BIS CD-1740/42
Release: 2008
Format: FLACx8+scans
注：Bergen（卑尔根）是挪威第二大城市。
EDVARD GRIEG
(1843-1907)
CD 1
[1] In Autumn, Op.11 (1866)
concert overture for orchestra
Piano Concerto in A minor, Op.16 (1868)
[2] I. Allegro molto moderato
[3] II. Adagio
[4] III. Allegro molto moderato e marcato
Noriko Ogawa, piano
Symphony in C minor (1863-64)
[5] I. Allegro molto
[6] II. Adagio espressivo
[7] III. Intermezzo - Allegro energico
[8] IV. Finale - Allegro molto vivace
CD 2
Sigurd Jorsalfar, Op.22 (1872)
Incidental music to the play by Bjørn stjerne Bjørnson
[1] I. Introduction to Act I
[2] II. Borghild’s Dream
[3] III. At the Matching Game
[4] IV. The Northland Folk
[5] V. Homage March
[6] VI. Interlude I
[7] VII. Interlude II
[8] VIII. The King's Song
[9] Land Sighting, Op.31 (1872/1881)
for baritone, male choir and orchestra. Text: B. Bjørnson
[10] Bergliot, Op.42 (1871, orch. 1885)
Melodrama for declamation and orchestra. Text: B. Bjørnson
[11] Funeral March in Memory of Rikard Nordraak, EG 117 (1866)
arranged for orchestra by Johan Halvorsen (1907)
[12] The Mountain Thrall, Op.32 (1877–78)
for baritone and orchestra. Text: traditional
CD 3
Olav Trygvason, Op.50 (1873/1888)
Scenes from an unfinished drama by Bjornstjerne Bjørnson
[1] Scene I
[2] Scene II
[3] Scene III
[4] At the Cloister Gate, Op.20 (1871)
Text: B. Bjørnson
Six Songs with Orchestra (orch. 1894–95)
[5] I. Solveigs Sang (Solveig’s Song), Op.23-19. Text: Henrik Ibsen
[6] II. Solveigs Vuggevise (Solveig’s Cradle Song), Op.23-26. Text: H. Ibsen
[7] III. Fra Monte Pincio (From Monte Pincio), Op.39-1. Text: B. Bjørnson
[8] IV. En Svane (A Swan), Op.25-2. Text: H. Ibsen
[9] V. Våren (Last Spring), Op.33-2. Text: A.O. Vinje
[10] VI. Henrik Wergeland, Op.58-3. Text: John Paulsen
[11] Ved Rondane (At Rondane), Op.33-9 (1880). Text: A.O. Vinje
arranged by Johan Halvorsen
Solveig Kringelborn soprano [1, 4]
Ingebjørg Kosmo mezzo-soprano [2, 4]
Trond Halstein Moe baritone [1, 2]
Marita Solberg soprano [5–11]
Bergen Philharmonic Choir and Kor Vest (Bergen Vocal Ensemble) [1–3] chorus-master: Håkon Matti Skrede
Voci nobili [4] chorus-master: Maria Gamborg Helbekkmo
CD 4
Peer Gynt, Op.23 (1874–75)
Play by Henrik Ibsen, in a concert version prepared by Svein Sturla Hungnes
Act I
[1] I Bryllupsgården (At the Wedding)
[2] Bukkerittet (The Buckride)
[3] Bryllupsmarsj (Brudefølget drar forbi) (Wedding March [Norwegian Bridal Procession])
[4] På vei til Hegstad (On the way to Hegstad)
[5] Halling
[6] Springar: Bryllupet på Hegstad (Springar: The Wedding at Hegstad)
Act II
[7] Bruderovet. Ingrids klage (The Abduction of the Bride. Ingrid’s Lament)
[8] Peer Gynt og Ingrid (Peer Gynt and Ingrid)
[9] Peer Gynt på flukt (Peer Gynt on the run)
[10] Peer Gynt og Sæterjentene (Peer Gynt and the Herd-Girls)
[11] Peer Gynt og Den Grønnkledde (Peer Gynt and the Woman in Green)
[12] Peer Gynt og Den Grønnkledde, forts. (Peer Gynt and the Woman in Green, cont.)
[13] På ridestellet skal storfolk kjennes (Great folk may be known by the mounts…)
[14] I Dovregubbens hall (In the Hall of the Mountain King)
[15] Peer Gynts møte med Dovregubben (Peer Gynt meets the Mountain King)
[16] Dans av Dovregubbens datter (Dance of the Mountain King’s Daughter)
[17] Ut av Dovregubbens hall (Out of the Mountain King’s Hall)
[18] Peer Gynt jages av troll (Peer Gynt hunted by the trolls)
[19] Peer Gynt og Bøygen (Peer Gynt and the Boyg)
Act III
[20] Peer Gynt og Solveig (Peer Gynt and Solveig)
[21] Forspill til Åses død (Prelude to The Death of Aase)
[22] Åses død (The Death of Aase)
CD 5
Act IV
[1] Morgenstemning (Morning Mood)
[2] I Marokko (In Morocco)
[3] Tyven og heleren (text: see page 79) (The Thief and the Receiver)
[4] Peer Gynt blir profet (Peer Gynt becomes a Prophet)
[5] Arabisk dans (Arabian Dance) (see page 79)
[6] Profet og hersker (Prophet and Ruler)
[7] Anitras dans (Anitra's Dance)
[8] Profetens juvel (The Prophet's Jewel)
[9] Peer Gynts Serenade (Peer Gynt's Serenade) (see page 80)
[10] Peer Gynt og Anitra (Peer Gynt and Anitra)
[11] Peer Gynt og Anitra, forts. (Peer Gynt and Anitra, cont.)
[12] Forlatt i ørkenen (Alone in the Desert)
[13] Solveigs sang (Solveig's Song) (see page 81)
[14] Peer Gynt i Egypt (Peer Gynt in Egypt)
[15] Peer Gynt ved Memnonstøtten (Peer Gynt at the Statue of Memnon)
[16] Peer Gynt og Begriffenfeldt (Peer Gynt and Begriffenfeldt)
Act V
[17] Peer Gynts hjemfart. Stormfull aften på havet (Peer Gynt's Homecoming. Stormy Evening on the Sea)
[18] Utenfor den norske kyst (Off the Norwegian Coast)
[19] Skipsforliset (Shipwreck) Between
[20] På båthvelvet (On the Boat Hull)
[21] Solveig synger i hytten (see page 81) (Solveig sings in the Hut)
[22] Peer Gynt ved hytten (Peer Gynt by the Hut)
[23] Nattscene (Night Scene) (see page 81)
[24] Peer Gynt og Knappestøperen (Peer Gynt and the Button Moulder)
[25] Deilige sol og deilige jord (Lovely Sun and Lovely Earth)
[26] Pinsesalme: Velsignede morgen (see page 84) (Whitsun Hymn: Oh Blessed Morning)
[27] Utenfor hytten (Outside the Hut)
[28] Peer Gynt og Solveig (Peer Gynt and Solveig)
[29] Solveigs vuggevise (Solveig’s Cradle Song) (see page 84)
Actors:
Peer Gynt · Svein Sturla Hungnes
Solveig· Marita Solberg
Åse · Kari Simonsen
Ingrid / Woman in Green / Anitra · Andrea Bræin Hovig
Hegstad farmer / Mountain King / Captain · Bjørn Willberg Andersen
The Boyg / Monsieur Ballon / Stranger / Begriffenfeldt / Button Moulder · Ståle Bjørnhaug
Singers:
Peer Gynt · Håkan Hagegård baritone
Solveig· Marita Solberg soprano
Anitra / 3rd Herd-Girl · Ingebjørg Kosmo mezzo-soprano
1st Herd-Girl · Kari Postma soprano
2nd Herd-Girl · Hilde Haraldsen Sveen soprano
Thief · Iikka Leppänen bass-baritone
Receiver · Torbjørn Gulbrandsøy baritone
Kor Vest (Bergen Vocal Ensemble) chorus-master: Håkon Matti Skrede
Arve Moen Bergset Hardanger fiddle [Disc 4: 5, 6]
CD 6
Peer Gynt Suite No.1, Op.46 (1874–75/1888)
[1] I. Morgenstemning (Morning Mood)
[2] II. Åses død (The Death of Aase)
[3] III. Anitras dans (Anitra’s Dance)
[4] IV. I Dovregubbens hall (In the Hall of the Mountain King)
Peer Gynt Suite No.2, Op.55 (1874–75/1892)
[5] I. Bruderovet. Ingrids Klage (The Abduction of the Bride. Ingrid’s Lament)
[6] II. Arabisk dans (Arabian Dance)
[7] III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt’s Homecoming [Stormy Evening on the Sea])
[8] IV. Solveigs Sang (Solveig’s Song)
[9] Sørgemarsj over Rikard Nordraak, EG 117 (1866/1867/1899)
(Funeral March in Memory of Rikard Nordraak) version for wind band
[10] Gammelnorsk romanse med variasjoner, Op.51 (1890/1900–03)
(Old Norwegian Melody with Variations)
[11] Klokkeklang (Bell Ringing), Op.54-6 (1891/1904)
Disc 7
From Holberg's Time, Op.40 (1884/1885)
[1] I. Prelude
[2] II. Sarabande
[3] III. Gavotte
[4] IV. Air
[5] V. Rigaudon
To elegiske melodier (Two Elegiac Melodies), Op.34 (1880)
[6] I. Hjertesår (The Wounded Heart)
[7] II. Våren (Last Spring)
To melodier (Two Melodies), Op.53 (1890)
[8] I. Norsk (Norwegian)
[9] II. Det første Møte (The First Meeting)
To nordiske melodier (Two Nordic Melodies), Op.63 (1895)
[10] I. I folketonestil (In Folk Style)
[11] II. Kulokk & Stabbelåten (Cow Call and Peasant Dance)
To lyriske stykker (Two Lyric Pieces), Op.68 (1899/1900)
[12] I. Aften på Høyfjellet (Evening in the Mountains) [Rainer Gibbons oboe]
[13] II. Bådnlåt (At the Cradle)
Øyvind Bjorå solo violin · Sebastian Dörfler solo cello
CD 8
Norwegian Dances, Op.35 (1881)
Orchestrated by Hans Sitt (1888)
[1] I. Allegro Marcato
[2] II. Allegro tranquillo e grazioso
[3] III. Allegro moderato alla marcia
[4] IV. Allegro Molto
Symphonic Dances, Op.64 (1896/1898)
on Norwegian Motifs
[5] I. Allegro moderato e marcato
[6] II. Allegretto grazioso
[7] III. Allegro giocoso
[8] IV. Andante - Allegro molto
Lyric Suite, Op.54 (1889–91/1904)
[9] I. Gjetergutt (Shepherd Boy). Andante espressivo
[10] II. Gangar (Norwegian Dance). Allegretto marciale
[11] III. Notturno (Nocturne). Andante
[12] IV. Trolltog (March of the Dwarfs). Allegretto moderato
To list the various distinctions awarded to the recordings that make up this sumptuous offering is almost impossible; suffice it to say that the entire series received the Grieg Award in 2007, the year of the hundredth anniversary of the death of the composer, as well as a very special commendation by the UK Grieg Society the same year.
During 2003-2006, as the individual discs were released, reviewers all over the world were heaping praise over the series - astoundingly enough, as this is repertoire that at least in part belong to some of the most well-represented on disc. But this did not seem to matter to the critics, who described the performance of the Piano Concerto as one that "will make you fall in love with the music all over again" (American Record Guide) and that of the Holberg Suite "so compelling that it simply makes you forget about any other" (Classics Today.com), deeming the Peer Gynt Suites to be "interpretations that rejuvenate even this almost hackneyed, overly familiar music, relieving it of all the ballast of performance history" (klassik.com).
It was the freshness of the performances by Ole Kristian Ruud and the Bergen Philharmonic Orchestra that struck most critics - freshness coupled with expertise: "Bergen musicians have lived with these scores since their creation and all the performances here have a relaxed, idiomatic naturalness in their virtuosity" (Gramophone). A second point was the superior sound quality - the result of inspired and painstaking work by the BIS recording staff in combination with the splendid acoustics of the Grieg Hall in Bergen. "Sonically this production features demonstration quality both in stereo and SACD multi-channel formats" wrote the reviewer of Classics Today.com; "a fabulous complete cycle, admirably served by the splendid recording technique" was the verdict in Classica-Répertoire.
The third factor contributing to the warm reception was of course the music itself, the fascination and power exerted by the Piano Concerto and the complete Peer Gynt, the emotion projected in Bergliot and Den Bergtekne, the charm and freshness of the orchestral songs and Lyric Suite - in the words of one reviewer: "music that you'd have to be either deaf or dead not to love". The complete traversal, generally considered a reference point in the Grieg discography, is now available in this stereo-only version at a very advantageous price. (8 CDs for the price of 3)

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格里格：培尔·金特，第2组曲，作品55 - 4. 索尔维格之歌（鲁德）