(分享)莫扎特：伟大的钢琴协奏曲 - 玛丽亚-约奥·皮雷斯

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Composer: Wolfgang Amadeus Mozart
Soloist: Maria João Pires (piano)
Orchestra: Orchestre de la Fondation Gulbenkian de Lisbonne, Orchestre de Chambre de Lausanne
Conductor: Theodor Guschlbauer, Armin Jordan
Recorded: 1972-77
Label: Erato
Release: 26.V.2008
Format: FLACx5
注：听这个，不由想起皮雷斯的“差错”。音乐会主办方的节目单出了纰漏，她准备的是第23协奏曲，可是当音乐响起，却是第20协奏曲（莫扎特的钢琴协奏曲大都是由乐队先展示）。皮雷斯手足无措，低声跟指挥抗辩，指挥不断鼓励她，You can do it。幸亏皮雷斯对莫扎特的协奏曲烂熟于胸，硬是凭记忆把一首20多分钟的曲子演奏了出来。忘了是在B站还是腾讯看的视频，没看过的乐友可去搜搜看。
WOLFGANG AMADEUS MOZART
(1756-1791)
Disc 1
Piano Concerto No.9 in E flat major, K.271 "Jeunehomme"
I. Allegro - Tempo I
II. Andantino - Tempo I
III. Rondeau: Presto - Tempo I
Piano Concerto No.17 in G major, K.453
I. Allegro
II. Andante
III. Allegretto
Rondo in D major, K.382
Disc 2
Piano Concerto No.21 in C major, K.467 'Elvira Madigan'
I. Allegro
II. Andante
III. Allegro vivace assai
Piano Concerto No.26 in D major, K.537 'Coronation'
I. Allegro
II. Larghetto
III. Allegretto
Rondo in A major, K.386
Disc 3
Piano Concerto No.23 in A major, K.488
I. Allegro
II. Adagio
III. Allegro assai
Piano Concerto No.13 in C major, K.415
I. Allegro
II. Andante
III. Rondo. Allegro
Piano Concerto No.14 in E flat major, K.449
I. Allegro vivace
II. Andantino
III. Allegro ma non troppo
Disc 4
Piano Concerto No.19 in F major, K.459
I. Allegro vivace
II. Allegretto
III. Allegro assai
Piano Concerto No.12 in A major, K.414
I. Allegro
II. Andante
III. Rondo. Allegretto
Rondo in A minor, K.511 (for solo piano)
Disc 5
Piano Concerto No.20 in D minor, K.466
I. Allegro
II. Romance
III. Rondo (Allegro assai)
Piano Concerto No.27 in B flat major, K.595
I. Allegro
II. Larghetto
III. Allegro
Recordings:
- July 1972, Sao Carlos Theater, Lisabon (K271, k453)
- July 1973, Sao Carlos Theater, Lisabon (K382, K467, K386, K488, K449, K511)
- May 1974, Sao Carlos Theater, Lisabon (K537, K415)
- December 1976, Radio Lausanne, Switzerland (K459, K414)
- June 1977, Maison des Spectacles d'Epalinges, Switzerland (K466, K595)

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Maria Joao Pires recorded these Mozart concertos in the 1970’s, before fame had overtaken her. They are refreshingly musical and full of character, and no allowances need be made for the sound. Readers wanting bargain accounts of these concertos can rest assured that these are far more than seviceable – indeed, they have style as well as the accomplished musicianship one expects from her. Eminently recommendable.
3 out of 4 stars

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莫扎特：第20钢琴协奏曲 - 第1乐章（皮雷斯+乔丹）