(分享)To樱樱：贝多芬：钢琴奏鸣曲全集 - 阿尔弗雷德·布伦德尔 (1990s)

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Composer: Ludwig van Beethoven
Soloist: Alfred Brendel (piano)
Recorded: 1992-96
Label: Philips
Release: 1996
Format: FLACx10+scans
注：上过一套七十年代的，这套是九十年代的数码录音版。感谢樱樱为众多乐友的辛勤劳作。
LUDWIG VAN BEETHOVEN
(1770-1827)
The Complete Piano Sonatas

Disc 1
Piano Sonata No.16 in G major, Op.31-1
I. Allegro vivace
II. Adagio grazioso
III. Rondo: Allegretto
Piano Sonata No.17 in D minor, Op.31-2 'Tempest'
I. Largo - Allegro
II. Adagio
III. Allegretto
Piano Sonata No.18 in E flat major, Op.31-3 'Hunt'
I. Allegro
II. Scherzo: Allegretto vivace
III. Menuetto: Moderato e grazioso
IV. Presto con fuoco
XI.1992 The Maltings, Snape, UK

Disc 2
Piano Sonata No.21 in C major, Op.53 'Waldstein'
I. Allegro con brio
II. Introduzione: Adagio molto
III. Rondo: Allegro moderato - Prestissimo
Piano Sonata No.22 in F major, Op.54
I. In tempo d'un Menuetto
II. Allegretto
Piano Sonata No.28 in A major, Op.101
I. Etwas lebhaft und mit der innigsten Empfindung: Allegretto ma non troppo
II. Lebhaft, marschmäßig: Vivace alla marcia
III. Langsam und sehnsuchtsvoll: Adagio ma non troppo, con affetto
IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit: Allegro
Andante in F major, WoO 57
Andante favori
XI.1992 The Maltings, Snape, UK (Op.101)
IV.1993 Reitstadel, Neumarkt, Germany (Ops.53,54, WoO 57)

Disc 3
Piano Sonata No.12 in A flat major, Op.26
I. Andante con Variazioni
II. Scherzo: Allegro molto
III. Marcia funebre
IV. Allegro
Piano Sonata No.13 in E flat major, Op.27-1
I. Andante - Allegro
II. Allegro molte e vivace
III. Adagio con espressione
IV. Allegro vivace - Presto
Piano Sonata No.14 in C sharp minor, Op.27-2 'Moonlight'
I. Adagio sostenuto
II. Allegretto - Trio
III. Presto agitato
Piano Sonata No.19 in G minor, Op.49-1
I. Andante
II. Rondo: Allegro
IV.1994 Reitsadel, Neumarkt, Germany (Nos. 12,13,14)
II.1994 The Maltings, Snape, UK (No.19)

Disc 4
Piano Sonata No.1 in F minor, Op.2-1
I. Allegro
II. Adagio
III. Menuetto: Allegretto
IV. Prestissimo
Piano Sonata No.2 in A major, Op.2-2
I. Allegro vivace
II. Largo appassionato
III. Scherzo: Allegretto
IV. Rondo: Grazioso
Piano Sonata No.3 in C major, Op.2-3
I. Allegro con brio
II. Adagio
III. Scherzo: Allegro
IV. Allegro assai
II.1994 The Maltings, Snape, UK

Disc 5
Piano Sonata No.8 in C minor, Op.13 'Pathéique'
I. Grave - Allegro di molto e con brio
II. Adagio cantabile
III. Rondo: Allegro
Piano Sonata No.9 in E major, Op.14-1
I. Allegro
II. Allegretto
III. Rondo: Allegro commondo
Piano Sonata No.10 in G major, Op.14-2
I. Allegro
II. Andante
III. Scherzo: Allegro assai
Piano Sonata No.11 in B flat major, Op.22
I. Allegro con brio
II. Adagio con molto espressione
III. Menuetto
IV. Rondo: Allegretto
VI.1994 Reitstadel, Neumarkt, Germany

Disc 6
Piano Sonata No.25 in G major, Op.79
I. Presto alla tedesca
II. Andante
III. Vivace
Piano Sonata No.24 in F sharp major, Op.78 'A Thérèse'
I. Adagio cantabile - Allegro ma non troppo
II. Allegro vivace
Piano Sonata No.27 in E minor, Op.90
I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
II. Nicht zu geschwind und sehr singbar vorzutragen
Piano Sonata No.23 in F minor, Op.57 'Appassionata'
I. Allegro assai
II. Andante con moto
III. Allegro ma non troppo - Presto
II.1994 (No.23), X.1994 (Nos.24,25) The Maltings, Snape, England
III.1995 Reitstadel, Neumarkt, Germany (No.27)

Disc 7
Piano Sonata No.4 in E flat major, Op.7
I. Allegro molto e con brio
II. Largo, con gran espressione
III. Allegro
IV. Rondo: Poco allegretto e grazioso
Piano Sonata No.15 in D major, Op.28 'Pastorale'
I. Allegro
II. Andante
III. Scherzo: Allegro vivace
IV. Rondo: Allegro ma non troppo
Piano Sonata No.20 in G major, Op.49-2
I. Allegro ma non troppo
II. Tempo di Menuetto
VI.1994 Reitstadel, Neumarkt, Germany

Disc 8
Piano Sonata No.29 in B flat major, Op.106 'Hammerklavier'
I. Allegro
II. Scherzo: Assai vivace - Presto
III. Adagio sostenuto
IV. Largo - Allegro risoluto
Piano Sonata No.26 in E flat major, Op.81a 'Les Adieux'
I. Adagio - Allegro
II. Andante espressivo
III. Vivacissimamente - Poco andante
VI.1994 Reitstadel, Neumarkt, Germany (Op.81a)
II.1995 Musikverein, Vienna (Op.106)

Disc 9
Piano Sonata No.5 in C minor, Op.10-1
I. Allegro molto e con brio
II. Adagio molto
III. Finale: Prestissimo
Piano Sonata No.6 in F major, Op.10-2
I. Allegro
II. Allegretto
III. Presto
Piano Sonata No.7 in D major, Op.10-3
I. Presto
II. Largo e maesto
III. Menuetto: Allegro
IV. Rondo: Allegro
Live II.1995 Frankfurt (Nos. 5,6)
III.1995 Neumarkt (No.7)

Disc 10
Piano Sonata No.30 in E major, Op.109
I. Vivace ma non troppo - Adagio espressivo
II. Prestissimo
III. Andante, molto cantabile ed espressivo
Piano Sonata No.31 in A flat major, Op.110
I. Moderato cantabile, molto espressivo
II. Allegro molto
III. Adagio ma non tropo
        Fuga: Allegro ma non troppo
Piano Sonata No.32 in C minor, Op.111
I. Maestoso - Allegro con brio ed appassionato
II. Arietta: Adagio molto semplice e cantabile
XII.1995 The Maltings, Snape, UK (Ops.110,111)
II.1996 Henry Wood Hall, London (Op.109)
You have to have the Beethoven piano sonatas in your collection. You really do. Beethoven's nine symphonies get the attention, and deservedly so, for radically changing music forever, for elevating musical expression beyond the constraints of the Classical style. Onward. Upward. Beethoven created the first truly transcendent music, radical new harmonies and forms, music where emotional expression takes primacy over form.
But if the symphonies were the extravagant public face of this transformation, the 32 piano sonatas, standing as a single body of work, are the private, personal works that demonstrate Beethoven's development and foreshadow the radical and sublime innovations in form and harmonic structure that would be devoured by generations of aficionados of the symphonies.
So the question isn't whether or not to include the Beethoven piano sonatas in your collection, but rather which collection. I'll give my five stars the Brendel.
If you are listening to a musical performance for the purposes of enjoying a virtuostic performance, you want the musician to feel free to interpret, to snub the composer's purpose and motivation in the name of passion and talent. That's precisely what you want if you are listening to Liszt's Waltzes or Rachmaninoff's Preludes for example. No disrespect. (I love Liszt's Waltzes but find I can't quite dance to them) But if you are listening to music to appreciate brilliant composition, then you want someone more faithful than ostentatious. That's certainly what you want in your complete collection of Beethoven's piano sonatas. (Why? Because Beethoven was a master composer, greater than any before or after by several orders of magnitude. We've been through this before.)
That's what you get with Brendel. I saw him perform a Mozart piano concerto with the Boston Symphony Orchestra, where he wrote his own cadenzas. He didn't bounce around and make funny ecstatic faces, he didn't squint and gaze off into the heavens as if receiving the music from above. He just played and played well. He wasn't a statue, he was moving around and enjoying himself but not in a showy way, just in service of the music. His personal touches were subtle. He wasn't a ham until the very end, when he came out again and again for more applause and hammed it up for an encore of his cadenzas.
You don't have to thank me. Just enjoy, then turn on somebody else.
--Reviewer: M. Libman (Brookline, MA) April 3, 2006

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贝多芬：华尔斯坦钢琴奏鸣曲 - 回旋曲（布伦德尔）