(分享)贝多芬：钢琴奏鸣曲全集 - 保尔·巴杜拉-斯科达

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Composer: Ludwig van Beethoven
Soloist: Paul Badura-Skoda (piano)
Recorded: 1969-70
Label: Gramola
Release: 2012
Format: FLACx10+scans
LUDWIG VAN BEETHOVEN
(1770-1827)
The Piano Sonatas
Vol.1
Piano Sonata No.1 in F minor, Op.2-1
I. Allegro
II. Adagio
III Menuetto. Allegretto
IV. Prestissimo
Piano Sonata No.2 in A major, Op.2-2
I. Allegro vivace
II. Largo appassionato
III. Scherzo. Allegretto
IV. Rondo. Grazioso
Piano Sonata No.3 in C major, Op.2-3
I. Allegro con brio
II. Adagio
III. Scherzo. Allegro
IV. Allegro assai
Vol.2
Piano Sonata No.4 in E flat major, Op.7
I. Allegro molto e con brio
II. Largo. con gran espressione
III. Allegro
IV. Rondo. Poco allegretto e grazioso
Piano Sonata No.11 in B flat major, Op.22
I. Allegro con brio
II. Adagio con molta espressione
III. Minuetto
IV. Rondo. Allegretto
Piano Sonata No.9 in E major, Op.14-1
I. Allegro
II. Allegretto
III. Rondo. Allegro comodo
Vol.3
Piano Sonata No.5 in C minor, Op.10-1
I. Allegro molto e con brio
II. Adagio molto
III. Finale. Prestissimo
Piano Sonata No.6 in F major, Op.10-2
I. Allegro
II. Allegretto
III. Presto
Piano Sonata No.7 in D major, Op.10-3
I. Presto
II. Largo e mesto
III. Menuetto. Allegro
IV. Rondo. Allegro
Piano Sonata No.10 in G major, Op.14-2
I. Allegro
II. Andante
III. Scherzo. Allegro assai
Vol.4
Piano Sonata No.8 in C minor, Op.13 'Pathétique'
I. Grave- Allegro di molto e con brio
II. Adagio cantabile
III. Rondo. Allegro
Piano Sonata No.12 in A flat major, Op.26
I. Andante con Variazioni
II. Scherzo.  Allegro molto
III. Marcia funebre sullamorte d'un Eroe
IV. Allegro
Piano Sonata No.13 in E flat major, Op.27-1
Sonata quasi una fantasia
I. Andante - Allegro - Tempo I
II. Allegro molto e vivace
III. Adagio conexpressione
IV. Allegro vivace - Tempo I - Presto
Piano Sonata No.14 in C sharp minor, Op.27-2 'Moonlight'
I. Adagio sostenuto
II. Allegretto
III. Presto agitato
Vol.5
Piano Sonata No.15 in D major, Op.28 'Pastorale'
I. Allegro
II. Andante
III. Scherzo. Allegro vivace
IV. Rondo. Allegro ma non troppo
Piano Sonata No.16 in G major, Op.31-1
I. Allegro vivace
II. Adagio grazioso
III. Rondo. Allegretto
Piano Sonata No.17 in D minor, Op.31-2 'Tempest'
I. Largo- Allegro
II. Adagio
III. Allegretto
Vol.6
Piano Sonata No.18 in E flat major, Op.31-3 'Hunt'
I. Allegro
II. Scherzo. Allegretto vivace
III. Menuetto. Moderato e grazioso
IV. Presto con fuoco
Piano Sonata No.24 in F sharp major, Op.78 'For Therese'
I. Adagio cantabile - Allegro ma non troppo
II. Allegro vivace
Piano Sonata No.25 in G major, Op.79
I. Presto alla tedesca
II. Andante
III. Vivace
Piano Sonata No.26 in E flat major, Op.81a 'Les Adieux'
I. Das Lebewohl - Les Adieux (Adagio - Allegro)
II. Abwesenheit - L'Absence (Andante espressivo) - III. Das Wiedersehn - Le Retour (Vivacissimamente)
Piano Sonata No.27 in E minor, Op.90
I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
II. Nicht zu geschwind und sehr singbar vorgetragen
Vol.7
Piano Sonata No.21 in C major, Op.53 'Waldstein'
I. Allegro con brio
II. Introduzione. Adagio molto - III. Rondo. Allegretto moderato
Piano Sonata No.19 in G minor, Op.49-1
I. Andante
II. Rondo. Allegro
Piano Sonata No.20 in G major, Op.49-2
I. Allegro, ma non troppo
II. Tempo di menuetto
Piano Sonata No.22 in F major, Op.54
I. In Tempo d'un Menuetto
II. Allegretto
Piano Sonata No.23 in F minor, Op.57 'Appassionata'
I. Allegro assai
II. Andante con moto - III. Allegro ma non troppo
Vol.8
Piano Sonata No.29 in B flat major, Op.106 'Hammerklavier'
I. Allegro
II. Scherzo. Assai vivace - Presto - Prestissimo - Tempo I
III. Adagio
IV. Largo - Allegro risoluto
Piano Sonata No.28 in A major, Op.101
I. Etwas lebhaft, und mit der innigsten Empfindung. Allegretto ma non troppo
II. Lebhaft, marschmassig. Vivace alla Marcia
III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto - IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
Vol.9
Piano Sonata No.30 in E major, Op.109
I. Vivace ma non troppo - II. Prestissimo
III. Andante molto, cantabile ed espresshvo. Gesangvoll, mit innigster Empfindung
Piano Sonata No.31 in A flat major, Op.110
I. Moderato cantabile molto espressivo - II. Allegro molto - III. Adagio ma non troppo - Fuga: Allegro ma non troppo
Piano Sonata No.32 in C minor, Op.111
I. Maestoso - Allegro con brio ed appasionato
II. Ariette (Adagio molto semplice e cantabile)
Vol.10
Piano Sonata No.29 in B flat major, Op.106 'Hammerklavier'
I. Allegro
II. Scherzo. Assai vivace - Presto - Prestissimo - Tempo I
III. Adagio
IV. Largo - Allegro risoluto
PAUL BADURA-SKODA is one of the most important pianists of our time. A legendary artist who has been heard in all the world's greatest concert halls, and for years was the pianist who had the largest number of records available in the market. His musical personality is characterized by complete immersion in music, a passionate search for the essential, and a sense of artistic responsibility. It soon becomes evident to any listener that he loves music with every part of his being.
In 1945, Badura-Skoda entered the Vienna Conservatory, and two years later won first prize in the Austrian Music Competition and a scholarship which allowed him to study with Edwin Fischer. These years laid the foundation for Badura-Skoda′s artistic future. In 1949, Wilhelm Furtwängler and Herbert von Karajan became aware of Badura-Skoda′s outstanding talent, and invited him to play concerts. Practically overnight the young viennese became a world-famous artist.
Since then, Badura-Skoda has been a regular and celebrated guest at the most important music festivals, and a soloist with the world′s most prestigious orchestras. In addition to Furtwängler and von Karajan, he has collaborated with such renowned conducters as George Szell, Karl Böhm, Lorin Maazel, Zubin Mehta, Sir Charles Mackerras, Sir Georg Solti, Kent Nagano and John Eliot Gardiner.
Paul Badura-Skoda has recorded a vast repertoire – more than 200 LPs and dozens of compact discs including the complete cycles of the piano sonatas of Mozart, Beethoven and Schubert.
Badura-Skoda performs with equal authority on both period and modern instruments. He was a pioneer in proposing the use of period pianos in perfomance. His profound knowledge of instruments from Bach′s and Mozart time up to the present has given him the capacity to extract from modern instruments a quality of sound which never fails to amaze audiences and critics alike.
注：最后一张收录不同时期灌录的第29奏鸣曲。

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贝多芬：悲怆钢琴奏鸣曲 - 第1乐章（巴杜拉-斯科达）

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