(分享)柴科夫斯基 & 德沃夏克：小提琴协奏曲 - 艾达·亨德尔

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Composer: Camille Saint-Saens, Peter Tchaikovsky, Antonín Dvorak
Soloist: Ida Haendel (violin)
Orchestra: National Symphony Orchestra
Conductor: Basil Cameron, Karl Rankl
Recorded: 1945-47
Label: Dutton
Release: 1999
Format: FLAC+scans
注：四十年代的录音，在Dutton的修复下，音质算是好的了。
CAMILLE SAINT-SAËNS
(1835-1921)
Introduction & Rondo Capriccioso, Op.28
Ida Haendel, violin
National Symphony Orchestra
Basil Cameron
28.IV.1945
PETER TCHAIKOVSKY
(1840-1893)
Violin Concerto in D major, Op.35
I. Allegro moderato
II. Conzonetta. Andante
III. Finale. Allegro vivacissimo
Ida Haendel, violin
National Symphony Orchestra
Basil Cameron
26.IV.1945 & 6.II.1946
ANTONíN DVORAK
(1841-1904)
Violin Concerto in A minor, Op.53
I. Allegro ma non troppo
II. Adagio ma non troppo
III. Finale. Allegro giocoso
Ida Haendel, violin
National Symphony Orchestra
Karl Rankl
30-31.VII.1947

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Ida Haendel, CBE (15 December 1928 – 1 July 2020) was a Polish-British-Canadian violinist. Haendel was a child prodigy, her career spanning over seven decades. She also became an influential teacher.
The respect held by other musicians for the talents of violinist Ida Haendel is almost as total as her obscurity in the mind of the general public. What commands this respect is her large tone, assured and dedicated technique, and refreshing musicality. Haendel took up the violin at the age of three. She won her first competition, the Huberman Prize, when she was five, playing Beethoven's Violin Concerto, and was a finalist at the age of seven in the Wieniawski Competition. She and her parents traveled around Western Europe for a few years, during which time she did some studies with Enescu. Eventually, the family settled in London, where she was a student of Carl Flesch. In 1937, she made her first appearance at the Promenade concerts, where she continues to perform. It was around the time of her 1939 debut with Sir Henry Wood that the debate over her age developed. At the time, London would not allow children under the age of 14 to perform on Sundays, so 11-year-old Ida and her manager lied about her age in order for her to play. During World War II, Haendel played for English troops and participated in Myra Hess' National Gallery concerts. She also made many recordings during the early 1940s, but it wasn't until she toured America in 1946 and began annual tours of Europe, as well as appearing in South America and Asia, that her name began to be known outside of England. She was the soloist invited to tour China with John Pritchard and the London Philharmonic in 1973. She and her family moved to Canada in 1952, but she now splits her time between Miami and London. Her signature pieces are the concertos of Sibelius, Elgar, Walton, Brahms, and Britten. Both Sibelius and Walton personally praised her performances of their works. She premiered Dallapiccola's Tartiniana seconda in 1957 and Allan Pettersson's Violin Concerto No. 2, which was dedicated to her, in 1980. Haendel was given the Sibelius prize in 1982 and created a Commander of the British Empire in 1991. While not as well recognized as she should be, she continues to be a much-sought-after soloist by conductors such as Vladimir Ashkenazy, Simon Rattle, Zubin Mehta, and Seiji Ozawa, and is admired by younger violinists such as Anne-Sophie Mutter and Maxim Vengerov.

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http://attachment.0sm.com/node0/2022/06/862A7FAD73C2F28E-19d2a2195054878c.mp3
柴科夫斯基：D大调小提琴协奏曲 - 第1乐章（艾达·亨德尔）