（欧美）美独立摇Jawbox 《4CD》flac/百度

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资源标题：（欧美）美独立摇Jawbox 《4CD》flac/百度
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  >In their eight-year existence, Jawbox released four studio albums of increasingly skillful post-punk, not necessarily carrying the torch of their Washington, D.C., elders (Minor Threat, Embrace, Rites of Spring), but instead building on the tradition of Chicagos thriving early-80s scene (Big Black, Naked Raygun, Effigies). Highly and unfairly scrutinized for being the first act to leave über-indie Dischord Records, the band proved cynics wrong by releasing two excellent LPs for Atlantic that easily surpassed their Dischord output, all the while retaining their integrity and creative control.

>Ex-Government Issue bassist J. Robbins formed Jawbox in the summer of 1989. Deciding to switch to guitar and vocals, the first lineup was filled out by friends Adam Wade on drums and Kim Coletta on bass. Their first recording, a self-titled four-track 7 EP, was released in the spring of 1990 on their own DeSoto imprint.

>Immediately after having written 12 new songs, the band headed into Inner Ear with engineer Eli Janney (Girls Against Boys) to record their debut LP for Dischord later that year. Not regarded as a blunder in hindsight by the band, but still seen as an unfocused recording, Grippe is nonetheless a record that rewards repeated listening, despite its formative nature.

>Shortly after the recording of Grippe, the band considered adding a second guitarist to the lineup. Drummer Wade obliged by introducing Bill Barbot of Clambake, which promptly broke up, enabling Barbot to join the fold. Adding Barbot as second guitarist immediately opened windows for the band, allowing for a more texturized sound and providing another strong creative force for the group.
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