（欧美）民谣女诗人 Joan Baez《Baptism》1968/FLAC/BD

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资源标题：（欧美）民谣女诗人 Joan Baez《Baptism》1968/FLAC/BD
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艺人：    Joan Baez
语种：    英语
唱片公司：    Vanguard Records
发行时间：    1968年06月01日
专辑类别：    录音室专辑
专辑风格：    当代民谣 Contemporary Folk, 诗歌 Poetry
Joan Baez专辑介绍：
Joan Baez非常不一样的作品，吸收了当时的一些潮流，比如专辑的概念化以及政治社会环境。另外，它也是一张演绎诗歌的专辑，和民谣尝试结合起来。
by Bruce Eder
Joan Baez's most unusual album, Baptism is of a piece with the "concept" albums of the late '60s, but more ambitious than most and different from all of them. Baez by this time was immersed in various causes, concerning the Vietnam War, the human condition, and the general state of the world, and it seemed as though every note of music that she sang was treated as important -- sometimes in a negative way by her opponents; additionally, popular music was changing rapidly, and even rock groups that had seldom worried in their music about too much beyond the singer's next sexual conquest were getting serious. Baptism was Baez getting more serious than she already was, right down to the settings of her music, and redirecting her talent from folk song to art song, complete with orchestral accompaniment. Naturally, her idea of a concept album would differ from that of, say,
Frank Sinatra
or
the Beatles
. Baptism was a body of poetry selected, edited, and read and sung by Baez, and set to music by
Peter Schickele
(better known for his comical musical "discoveries" associated with "P.D.Q. Bach," but also a serious musician and composer). In 1968, amid the strife spreading across the world, the album had a built-in urgency that made it work as a mixture of art and message -- today, it seems like a precious and overly self-absorbed period piece. Baez lacks the speaking voice to pull off an album's worth of readings, though her interpretations of
Federico García Lorca
's "Casida of the Lament" and "Gacela of the Dark Death" show her achieving a level of compelling expressiveness that is lacking elsewhere; and the recording of
Countee Cullen
's "Epitaph for a Poet" features some beautiful accompaniment by
Schickele
. Additionally, the sung portions, including "Old Welsh Song," "Who Murdered the Minutes," "The Magic Wood," and "Oh, Little Child" by Henry Treece, "Of the Dark Past" by James Joyce, "All in Green Went My Love Riding" by e.e. cummings, and the lullaby "All the Pretty Little Horses" are beautiful and sustain those portions of the album. Baptism is primarily for Baez completists, however, although it is also a singular reminder for '60s history buffs that not all of the antiwar movement's music, or the work coming out of the folk scene in 1968, was necessarily loud, harsh, or bitter.
    1    Old Welsh Song
    2    I Saw the Vision of Armies
    3    Minister of War
    4    Song in the Blood
    5    Casida of the Lament
    6    Of the Dark Past (Ecce Puer)
    7    London
    8    In Guernica
    9    Who Murdered the Minutes
    10    Oh, Little Child
    11    No Man Is an Island
    12    From Portrait of the Artist as a Young Man
    13    All the Pretty Little Horses
    14    Childhood III
    15    The Magic Wood
    16    Poems from the Japanese
    17    Colours
    18    All in Green Went My Love Riding
    19    Gacela of the Dark Death
    20    The Parable of the Old Man and the Young
    21    Evil
    22    Epitaph for a Poet
    23    Mystic Numbers: 36. Wedding Song
    24    When The Shy Star Goes Forth In Heaven
    25    The Angel
    26    Old Welsh Song

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