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专辑英文名:Mozart, Youth Symphonies
专辑中文名:莫扎特:青年交响曲/对舞舞曲
条形编码:5051083149334
唱片公司:APARTE MUSIC 点击查看网站资料
发行时间:2019年11月29日
指 挥 :Gottfried von der Goltz(戈特弗里德.德尔.戈尔茨)
乐 团:Freiburger Barockorchester(弗莱堡巴洛克乐团)
语 言:无
类 型:Symphony、Viennese Classical
资源格式:24Bit/96kHz
It is true that images have the power to keep a trace of the past. Gottfried von der Goltz and the Freiburger Barockorchestra prove, with this recording, that music, too, conceals the secret of the memory deep within.
Though rarely played, much less recorded, Mozart's youth symphonies bear the reminiscence of the child the composer used to be, as well they include the seeds of his future masterpieces. The Freiburger Barockorchester fullfils, with this album, the portrait of the brilliant composer, whose influences lie in these symphonies and contredanses, as well as his musical tastes: for example, the G minor tonality that we hear in the Symphony K. 22 shows how much the music of the young Mozart echos to the elder.
Conducted by Gottfried von der Goltz, expert of the repertoire, the orchestra offers a genuine performance and interpretation, delivering the last piece of the Mozart puzzle.
影像的确具有保留过往历史痕迹的能力, 指挥戈尔茨与弗莱堡巴洛克乐团以此录音专辑证明音乐也有隐藏内心回忆的秘密.
虽然很少被演奏, 甚至于稀少的被录音出版, 莫扎的青年交响曲带有他小时候怀旧的回忆和他未来杰出作品的开端.
弗莱堡巴洛克乐团藉此专辑完成这位卓越作曲家的肖像, 他的影响力在这三件交响曲和五首对舞舞曲(Contredanses)与他的音乐风格中: 从第22号交响曲听到的G小调调性到在第一首对舞舞曲听到的咏叹调(你不会再走下去, Non piu andrai), 年轻时的莫札特音乐与年老时的彼此呼应著.
此片是莫札特曲目专家戈尔兹指挥弗莱堡巴洛克乐团, 提供一个真诚的表演与诠释, 并提供莫札特曲目拼图的最后一块.
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1-3. Symphonie en mi bemol majeur, K. 16
I. Molto allegro
II. Andante
III. Presto
4. Cinq Contredanses (n° 2, mi bemol majeur), K. 609
5-7. Symphonie en re majeur, K. 19
I. Allegro
II. Andante
III. Presto
8. Cinq Contredanses (n° 3, re majeur), K. 609
9-11. Symphonie en fa majeur, K Anh. 223/19a
I. Allegro assai
II. Andante
III. Presto
12. Cinq Contredanses (n° 1, do majeur), K. 609
13-15. Symphonie en si bemol majeur, K. 22
I. Allegro
II. Andante
III. Allegro molto
16. Cinq Contredanses (n° 4, do majeur), K. 609
17-19. Symphonie en sol majeur, K Anh. 221/45a
I. Allegro maestoso
II. Andante
III. Molto allegro
20. Cinq Contredanses (n° 5, sol majeur), K. 609
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