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(16Bit)Pat Metheny Group - Still Life (Talking) 2006 (ALAC/16bit/44,1kHz)

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发表于 2020-12-28 15:12:01 | 显示全部楼层 |阅读模式
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简介:
by Alex Henderson
While Brazilian music had captured Pat Metheny's attention since the '70s, he placed an especially strong emphasis on Brazilian elements in the late '80s. A master of uniting seemingly disparate elements as a cohesive whole, the imaginative guitarist effectively combines Brazilian-influenced harmonies and rhythm with jazz, folk, and pop elements on "So May It Secretly Begin," "Third Wind," "Minuano (Six Eight)," and other celebrated gems included on Still Life (Talking). The Brazilian leanings are put aside on one of Metheny's most unique offerings ever, "Last Train Home," which boasts a charming Western theme that brings to mind a peaceful journey across the Arizona desert. That may not sound like the description of a jazz piece, but then, making the unlikely a reality is among Metheny's many admirable qualities.作者:亚历克斯·亨德森虽然巴西音乐从70年代开始就吸引了帕特·梅塞尼的注意,但他在80年代后期特别强调巴西元素。这位富有想象力的吉他手善于将看似不同的元素组合成一个连贯的整体,他有效地将巴西影响的和声和节奏与爵士乐、民谣结合起来,流行元素包括“秘密开始”,“第三风”,“米努亚诺(六八)”和其他著名的宝石包括静物(谈话)。巴西人的倾向被搁置在梅塞尼有史以来最独特的产品之一,“最后一班火车回家”,它以迷人的西方主题,让人想起穿越亚利桑那沙漠的和平之旅。这听起来可能不像是对爵士乐作品的描述,但是,让不太可能的事情成为现实是梅塞尼许多令人钦佩的品质之一。
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